Sunday, July 13, 2014

Episode #42 - J. Hoberman (Poor Little Rich Girl)

"I was encouraged to be as opinionated and obscure as I wanted."

While his origins as a cinephile are based largely in his interest in the avant-garde, J. Hoberman has become one of the most influential critics through his examinations of Hollywood blockbusters, world cinema, the outer limits of experimental works, and most importantly, film history. In his appearance on the podcast, Hoberman talks to Peter about his adventures as a kid traversing New York City's film culture, his movement through the the city's underground scene, and eventually to his position at The Village Voice and creating a voice that often examined the relationship between politics and cinema. Finally, the two discuss Poor Little Rich Girl, Andy Warhol's out-of-focus and out of this world portraiture of Edie Sedgwick, which Hoberman describes as a work of "pure cinema."

0:00-1:38 Opening 
2:03-10:18 Establishing Shots - 2 Years of Cinephiliacs / Donations and Reviews
11:02-1:09:29 Deep Focus - J. Hoberman
1:12:19-1:28:52 Double Exposure - Poor Little Rich Girl (Andy Warhol)
1:28:57-1:31:32 Close / Outtake
www.audibletrial.com/cinephiliacs
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Sunday, June 29, 2014

Episode #41 - Adam Nayman (All Is Forgiven)

"I try and keep my notes of doubt and discord when trying to build my response."

In a continent dominated by American cinema, it can be easy to forget how essential Toronto is for cinephilia: home of the famed film festival, base of the idiosyncratic magazine Cinema Scope, and the city where critic Adam Nayman has been writing and teaching. Nayman's latest writing opus is It Doesn't Suck, a fantastic book tracing the evolution of Paul Verhoeven's Showgirls from bomb to camp to cult to classic. Peter sits down with Adam to discuss the book, as well as his work for publications like Scope and Reverse Shot, his view of Canadian cinema, and much more. Finally, the two examine the first film from Mia Hansen-Love, All Is Forgiven, and how a film with seemingly little ambition can contain a great depth of feeling. 

0:00-1:17 Opening 
2:13-7:40 Establishing Shots - Blind Detective / Donations and Reviews
8:25-59:00 Deep Focus - Adam Nayman
59:44-1:09:09 It Doesn't Suck
1:21:24-1:41:35 Double Exposure - All Is Forgiven (Mia Hansen-Love)
1:41:42-1:43:32 Close / Outtake
www.audibletrial.com/cinephiliacs
Read Adam Nayman at Cinema-Scope, The Globe and The Mail, and Reverse Shot.
Buy It Doesn't Suck.
Follow Adam on Twitter.
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Sunday, June 15, 2014

Episode #40 - Michael Koresky (The Seventh Victim)

"We decided there should a publication for a younger generation of film writers."


It would probably take days to count the number of film publications that launched in the early years of the current millennium, but Reverse Shot, which Michael Koresky co-founded, has been a cornerstone of intelligent and dynamic film writing for over a decade now. Peter sits down with Michael to chart out the publication's origins, the voice the site created, Michael's own work with the Criterion Collection, and his upcoming book on British director Terrence Davies. Finally, the two examine the nothing-else-like-it horror film, The Seventh Victim, a Val Lewton produced existential drama that manages to bring chills down both their spines with one little phrase: "death is good."

0:00-1:36 Opening 
2:24-8:40 Establishing Shots - BAMCinemafest (Ellie Lumme and Something, Anything)
9:25-54:02 Deep Focus - Michael Koresky
56:48-1:11:49 Double Exposure - The Seventh Victim (Mark Robson)
1:11:53-1:13:32 Close
www.audibletrial.com/cinephiliacs
Read Michael Koresky at Reverse Shot and at The Criterion Collection. Pre-Order his book on Terence Davies.
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Sunday, June 1, 2014

Episode #39 - Phillip Lopate (Charulata)

"What I've learned from all my writing, is I can take my character and make him be a guide that can go out and fetch the world...and he wanders into my film writing."

Phillip Lopate has been writing for over five decades on a number of subjects - New York, family, marriage, art - but his initial love was the movies. Having seen the New Wave arrive in New York first hand (as well as watch the tide recede), Phillip recounts the stories behind many of his most celebrated essays in this conversation with Peter. He maps out his cinephilia over the years, including finding spirituality through contemplative films, considering the possibility of an essay-film, and thinking through the paradox of making a films about marriage. Finally, the two look at a fascinating work by Indian director Satyajit Ray, Charulata, examining how Ray finds a fascinating tension between East and West in a parable of a tragic housewife, as well as some of the most gorgeously poetic sequences put to screen.

0:00-1:38 Opening 
2:31-9:32 Establishing Shots - Lau Kar-Leung / Donations
10:17-1:03:18 Deep Focus - Phillip Lopate
1:05:53-1:21:26 Double Exposure - Charulata (Satyajit Ray)
1:21:30-1:23:09 Close
www.audibletrial.com/cinephiliacs
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Monday, May 26, 2014

Special Episode - Cannes Film Festival 2014

The Cannes Film Festival has been the premiere location for the more masterworks in cinema than likely any other festival in the medium's history. And with its 67th iteration, Peter finally made it to the Croisette to see what the fuss was about. Thankfully, he was not alone, so in this special episode of the podcast, Keith Uhlich, Glenn Heath Jr., and Jordan Cronk join Peter to discuss some of the highlights that made a splash during their last day at the festival. From heavy-hitting works as far as Turkey and Mali, auteurs working with unexpected performers, and Jean-Luc Godard's 3D extravaganza, the festival provides more than enough fascinating material to simply scrape the surface of these enormous works. 

0:00-1:16 Opening
1:17-7:16 Timbuktu (Abderrahmane Sissako)
7:52-14:22 Winter Sleep (Nuri Bilge Ceylan)
14:23-20:05 Jauja (Lisandro Alonso)
20:55-30:04 Clouds of Sils Maria (Olivier Assyas)
30:57-37:15 Two Days, One Night (Jean-Pierre and Luc Dardenne)
37:16-48:28 National Gallery (Frederick Wiseman)
49:27-1:02:06 Goodbye to Language (Jean-Luc Godard)
1:02:08-1:14:12 Critics Picks
1:14:13-1:16:32 Close / Outtake

www.audibletrial.com/cinephiliacs
Read Keith Uhlich at Time Out New York, Glenn Heath Jr. at Fandor, and Jordan Cronk at Fandor and Reverse Shot.
Twitters: Keith, Glenn, Jordan
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Sunday, May 11, 2014

Episode #38 - Sam Adams (The Long Goodbye)

"You have to follow your star for what's exciting or offensive to you about this movie...writing about what interests you the most produces the best criticism."

Sam Adams may not be in the center of the criticism landscape from his home in Philadelphia, but his presence at the editor for the Criticwire blog has made his dialectic voice a reasoned and fascinating one in a world of polemics. In this latest episode, Peter sits down with Sam to talk about his first interest in criticism through his desire to talk through a film, his participation in the experimental Flaherty seminar, and his thoughts on the strange world of television criticism and its constant evolution. Finally, the two work through Robert Altman's 1973 hazy noir The Long Goodbye and consider how the director's comedic take on the Chandler hero with Elliot Gould might in some ways be more noir than most revisionist works.

0:00-1:25 Opening 
2:46-9:13 Establishing Shots - Mann Noirs / Donations
9:59-1:15:19 Deep Focus - Sam Adams
1:16:45-1:42:42 Double Exposure - The Long Goodbye (Robert Altman)
1:42:45-1:44:40 Close / Outtake
www.audibletrial.com/cinephiliacs
Read Sam Adams at Criticwire, The Dissolve, The AV Club, and The Philadelphia City Paper.
Follow Sam on Twitter.
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