"Our philosophy here is to try to re-create the original look of the film."
Film, both the art and the physical medium, will only survive as long as there are those willing to protect and restore it. This is the job of Dr. Jan-Christopher Horak, a film scholar and head of the archive at the University of California, Los Angeles, which hosts its 16th Festival of Preservation this month. Dr. Horak discusses his route into the archive, from his graduate work uncovering the genre of German exile filmmakers, to his other historical work on the early American avant-garde and recently on Saul Bass. The discussion then goes into the heart of the archive—its history as an institution, its practices (both film and digital), and most importantly, its exhibition to audiences. Finally, the two look at Edgar Ulmer's Her Sister's Secret, a family melodrama that might not contain the usual German expressionism of the director, but subtly breaks patterns of morality against the conventions of Hollywood.
4:18-11:16 Establishing Shots - Abel Ferrara's Pasolini
12:00-1:00:07 Deep Focus - Jan-Christopher Horak
1:03:22-1:14:12 Double Exposure - Her Sister's Secret (Edgar G. Ulmer)