"I'm always seduced by language and curious how the word and image interact"
Can movies think? Or how could we think through the movies? Highly influenced by the work of Stanley Cavell, Ryland Walker Knight has explored the possibilities of thinking and language in cinema, whether it be a work from a beloved art house master or a brash and loud Hollywood blockbuster. Ryland discusses his childhood raised on double features, his critical work, his recent short film, Inside Voices, and his latest project, a video essay series exploring some of the imagery and hidden narratives in the work of Michael Mann (with a little help from Beach House). Finally, the two turn to The Awful Truth, and discuss how Le McCarey's attention to how voices sound and bodies move create some of its most indelible humor, and intelligent insights.0:00-2:22 Opening