Today's episode features Anne Kaun, as Associate Professors at Södertörn University in the Department of Culture and Education, co-editor of Making Time for Digital Lives, and the author of Crisis and Critique: A Brief History of Media Participation in Times of Crisis. We discuss her co-authored article with Fredrik Stiernstedt entitled “Prison Media Work: From Manual Labor to the Work of Being Tracked,” from Media, Culture & Society. We discuss both the historical and global trends in the relationship between prison work and media infrastructures. Anne examines both the traditions of prison labor in building media as part of rehabilitation and professionalization, but also how it has evolved under neoliberal transformations to no longer reflect these goals. Most pointedly, she takes us through the new role of work for prisoners: acting as subjects for data analysis by large private companies looking to strengthen their algorithmic computation. Prisoners no longer do media work themselves as much as are a subject of being worked upon by media. In bringing light to this history, Kaun brings light to the complex network we live in that in many ways is shaped by prisons and the incarcerated without our knowledge.
Tuesday, December 8, 2020
Tuesday, December 1, 2020
Today's episode features Christina Lane, an Associate Professor of film studies and chair of the cinema department at the University of Miami and author of Feminist Hollywood: From Born in Flames to Point Break and Magnolia. We discuss her new book, Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock, which narrates the oft-forgotten tale of one of the studio era's most notable female pioneers. As Lane explores, Harrison played a multi-faceted role in the 1930s and early 1940s for director Alfred Hitchcock that cannot be understated, and then went on to become one of the "girl producers" of the 1940s with fascinating noirish thrillers like Phantom Lady, Dark Waters, and Ride the Pink Horse. Through it all, Lane relishes in the details of the nimble yet prodigious navigator of the studio system, and in particular, her unique transition to television and central role as a proto-showrunner on Alfred Hitchcock Presents. As Lane suggests, Harrison was much more than a "gal Friday," and instead someone who balanced personal toil, political scrutiny, and of course, the misogyny of Hollywood—rarely receiving the credit due to her talents, and offering inspiration for us all today.
Tuesday, November 3, 2020
Today's episode features Christopher Yogerst, an assistant professor of communication, at the University of Wisconsin, Milwaukee and the author of From the Headlines to Hollywood: The Birth and Boom of Warner Bros. We discuss his new book, Hollywood Hates Hitler!: Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, a fascinating look into the 1941 hearings in Congress over Hollywood's role in American life. Yogerst contextualizes an oft-forgotten event in the shadow of World War II, where isolationist Senators (many connected with the anti-Semitic America First Committee) attempted to argue a conspiracy against the film industry for making what they suggested was pro-war propaganda. As Yogerst details, the hearings revealed the follies of the Senate to actually understand the film industry, and highlighted the changing nature of the role of movies within the public. The result is a fascinating telling that would foretell the events that would soon grapple the industry—particularly the HUAC Investigations and the antitrust litigation—and has resonance for the continued role of Congress in its attempts to take on industries in Silicon Valley.
Tuesday, October 20, 2020
Today's episode features Hayley O'Malley, a Mellon postdoctoral fellow for the Black Arts Archive Sawyer Seminar at Northwestern University, who researches black women’s art and activism. We discuss her article, "Art on Her Mind: The Making of Kathleen Collins's Cinema of Interiority,” published in Black Camera. O'Malley looks across the broad spectrum of work, much of it unpublished, by the director of Losing Ground to find an artist continually using a subjective voice to define identity beyond the grounds of race and gender. Searching through her archives, she argues for a broader understanding of Collins as a writer in search of authentic experiences and attempting to tell personal stories without necessarily falling simply into autobiography. The research thus demonstrates a better understanding of this recently rediscovered filmmaker not just as a curios side note for film history, but perhaps a defining thinker and writer who influenced a number of writers, directors, and other artists in ways we might not realize.
Tuesday, October 6, 2020
Tuesday, September 15, 2020
Tuesday, September 1, 2020
Tuesday, June 30, 2020
6:43–1:21:44 Deep Focus — Brian L. Frye
1:22:21–1:27:24 MUBI Sponsorship Section
1:28:34–1:40:16 Double Exposure — The Hart of London (Jack Chambers)
Wednesday, May 27, 2020
6:07-51:41 The Last Dance (Jason Hehir [or Michael Jordan and the NBA])
52:29–56:23 Sponsorship Section
57:25–1:40:10 The History of the Seattle Mariners (Jon Bois and Alex Rubenstein)
1:41:18–2:03:48 Subject to Review (Theo Anthony)
Wednesday, April 29, 2020
7:54-13:05 MUBI Sponsorship
13:50–1:32:30 Deep Focus — James Leo Cahill
1:34:35–1:37:35 OVID.TV Sponsorship Section
1:38:21–1:54:08 Double Exposure — Pom Poko (Isao Takahata)